Just fascinated with Julian’s work! These paintings make me feel like I am on a grand house tour.  I was putting together an “Inspirational Interiors” Pinterest board and surprised with my love of formality. While I tend to like urban apartments, I have come to terms with that fact that my “ideal” urban apartment would be a chic Parisian apartment with high ceilings, long drapes and intricate architecture. A girl can dream, can’t she? I have searched around and have come up with very little on him personally. Mystery! He paints the loveliest interiors, possibly all commissioned so we are not getting to see them, which is a shame. The work I have found captures an element of elegance we don’t get a glimpse of very often. I love the loose brush strokes and the choices he makes on what to highlight in a room. This exterior below is what caught my attention initially and made me do a mad search for his work.


Julian la trobe

“His interiors show much more creativity than a photograph,” says San Francisco interior designer Andrew Fisher. “Plus, you can tell lies here and there–make things a few feet taller, make everything look prettier. . . . It’s also interesting to see how the artist perceives how you live.” 



You may recognize Elizabeth Mayville’s paintings from her very popular, girls with top knots series (or in this case a pony tail).I personally like all of her work. I am really taken with these summer scenes. Especially this swimmer in a lake below. The way she handles the water and the sunlight that is hitting it, is magic to me. I want to slip right in. There is a quiet contemplation to her work.




Elizabeth doesn’t paint a lot of florals so this one below intrigues me with it’s sunlit  chunky coloring. I can feel the sun bearing down on the flowers. She has a distinct color palette to her work  even though she choses a variety of subject matter. Her work feels a bit like a flashback in time to me. It feels like a comfortable summer home where you leave your cell phone at the door and put on your keds and head right to the water. Nice!

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I have loved the work of Dominique Corbasson for years. Every time I look at this French artists work, I am transported to a different era. I realize that is a bit of an odd response to her paintings,  but for me, her city scenes capture the true romance of these cities. People are  happily strolling about, no signs of traffic jams or grey cement.  There is a playful bliss to it all.  With clients all over the world, Dominique’s work glides from commercial to fine art with the same amount of ease as her brush strokes. I am captivated by how much detail (all those windows!!) there is and yet she never gives in to tightness. Just lovely!









I recently found a post I had written for the Nicoles Classes blog when I was teaching a Watercolor 101 class online there. Normally I would not share “tips” on painting on this site but I thought that these observations were helpful for me to read through again and thought you might like them too!

I am so excited to share these shots I took at the John Singer Sargent exhibit at the MFA in Boston a while ago. I was thrilled they let us use no-flash photography so I could use his work to help illustrate the answers to some questions I get from students. First of all, I wanted to show you how Sargent addressed  white in his paintings. Painting white is one of my very favorite things to do because most of the time, white is not really white! In the first two paintings, he used the white of the paper along with varying shades of purple, blue and gray to indicate shadows on white. This is how he could display the architecture of a building and the stunning white laundry. Who knew laundry could be so captivating? You will see that the light washes of cool color make the white of the paper sparkle with highlight. Tip: Use color when painting white!


In the painting below, he painted a dark charcoal gray background, making the white petals of the flowers stand out. Sargent was known for using what we call Chinese White, which is an opaque paint that can be painted on top of darker colors for highlight. If you look closely at the top flowers and the sparkly white spots, he could also have used wax resist. Using a white wax candle or white type of crayon makes the darker paint resist adhering to the paper leaving it white. I believe that is the technique he may have used on these gorgeous branches. Tip: Try wax resist when painting white!


I chose to include the bottom piece of the man napping for two reasons. First, to demonstrate how Sargent handled the white sheets. You can see shadows of indentation where the sleeper is lying on the sheets in light purple, but Sargent also includes some light browns making the painting cohesive. Secondly, I wanted to point out that John Singer Sargent is a master painter and he left the pencil lines in his paintings! I know this bothered some students when they do a drawing on their paper and then realize that once you paint over the pencil marks, they often cannot be erased and are still visible. This masterpiece should help put the matter to rest. It is all a part of the medium of watercolor and loose and effortless pencil lines can even be a compelling part of the composition. Tip: Don’t sweat pencil lines!


I cannot say enough about this exhibit at the Metropolitan Museum! The thought behind it, the craftsmanship, the story, even the layout (although I did miss a section and have to go out and back in again). Ok, not the layout, but the space and lighting and ambience were fabulous. If you are able to get to NYC or are taking a vacation there and have an already been the the Met attitude,  go again. I have been to the last couple of the fashion exhibits that open with the Met Gala and this one is really good. I found this video explaining the idea behind the exhibit and it prompted me to fit it into my schedule. I completely enjoyed the haute couture craftsmanship as it was positioned next new techniques in fabrication. The entire exhibit made me want to come home and create something 3 dimensional!

fishfin gown

This piece below was done with 3-D printing technology, it was so incredible to see this up close.


This one creeped me out a bit, silicone coated gull skulls. It was such a mix of everything, leather, laser cut, pleating, embroidery all at it’s very best. Just incredible.





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deaef09357621b2d2a80bd14490a2c0f  This embroidered dress was featured in the center of the exhibit, it was stunning. Basically, the room was set up like a cathedral and this wedding gown was set in the center. There may have been music playing or that may have been in my head,ha!  Needless to say I was in the moment, espeically since my phone and camera went dead right as I arrived at the Met.